Comedy Content Creation of COVID-19 Awareness on @arditerwandha's Social Media Platform
Abstract
To spread awareness about Coronavirus disease (COVID-19), content creators create social media content. Ardit Erwandha, a stand-up comedian, is one of the creators who uses humor in Social Media Content (SMC) about the Coronavirus. This study aims to understand why Ardit Erwanda used comedy in his SMC related to COVID-19 and the process he does to create the content. Furthermore, this study utilizes humorous communication theory because this theory explains the function of Humor (comedy) beyond its common understanding as an entertainment source. This qualitative research uses the Interpretivism paradigm and utilizes a case study. In addition, the researchers use in-depth interview as a primary data-collecting technique and collects literature reviews for discussion materials. The results of this study indicate that the humor approach in Ardit's SMC is used to convey criticism, relieve anxiety, and ease tension while representing people's feelings in terms of relatability. Ardit Erwanda goes through the following stages when creating content: goal setting, audience mapping, content ideas and planning, content creation, content distribution, content amplification, content evaluation, and content improvement.
Keywords
Full Text:
PDFReferences
Blank, G. (2013). WHO CREATES CONTENT?: Stratification and content creation on the Internet. Information Communication and Society, 16(3), 590-612. doi:10.1080/1369118X.2013.777758
Booth, N., & Matic , J. A. (2011). Mapping and leveraging influencers in social media to shape corporate brand perceptions. Corporate Communications: An International Journal.
Botha, E., & Mills, A. J. (2012). Managing new media: tools for brand management in social media. Aufsatz im Buch; Book section.
Brindha, R. S. (2020). Social Media Reigned by Information or Misinformation about COVID-19: A Phenomenological Study. SSRN Electronical Journal.
Chattoo, C. B. (2016). The Laughter Effect: How the Comedy Works to change the world. CMSI.
Chen, C. (2013). Exploring personal branding on YouTube. Journal of Internet Commerce.
Cinelli, M., & Quattrociocchi, W. (2020). The COVID-19 social media infodemic.
Cormand, V. M., Landt, O., Kaiser, M., Molenkamp, R., Meijer, A., Chu, D. K., Drosten, K. (2020). Detection of 2019 novel Coronavirus (2019-nCoV) by real-time RT-PCR. Eurosurveillance, 25(3), 1-8. doi:10.2807/1560-7917
Correa, T. (2010). Who interacts on the Web?: The intersection of users' personality and social media use. Computers in Human Behavior, 26:247-253.
Cox, J. (2002). Mark Twain: The Faith of Humor.
Davies, C. (2020). A Quick Guide to Quantitative Research in the.
Decoster, J., & Lichtensen, B. (2007). Integrating Quantitative and Qualitative Methods in Communication Research. Communication Methods and Measures.
Duraisamy, B. (2020). Social Media Reigned by Information or Misinformation About COVID-19: A Phenomenological Study.
Freberg, K., Graham, K., McGaughey, K., & Freberg, L. A. (2011). Who are the social media influencers? A study of public perceptionsof personality. Public Relations Reviews, 37(1), 90-92. doi:10.1016
Frederick, E. (2012). "Why we follow: An examination of parasocial interaction and fan motivations for following athlete archetypes on Twitter. International Journal of Sport Communication.
Garza, A. L. (2020). Coronavirus Researchers Are Using High-Tech Methods to Predict Where the Virus Might Go Next.
Gómez, A. R. (2019). Digital Fame and Fortune in the age of Social Media: A Classification of social media influencers. Revista Internacional de Investigación en Comunicación.
Hatton, G. (2018). Micro Influencers vs Macro Influencers.
Hearn, A., & Schoenhoff, S. (2016). From celebrity to influencer. In P. D. Marshall, & S. Redmond, A companion to celebrity. (pp. 194-212.). London: John Wiley & Sons, Inc.
Kahn, J. S., & McIntosh, K. (2005). History and recent advances in coronavirus discovery. The Pediatric infectious disease journal.
Kotler, P., Kertajaya, H., & Setiawan, I. (2019). Marketing 4.0.
Lim, X. J. (2017). The Impact of Social Media Influencers on Purchase Intention and the Mediation Effect of Customer Attitude. Asian Journal of Business Research.
Lynch, O. H. (2002). Humorous Communication: Finding a Place for Humor in Communication Research. Communication Theory.
Mahesh, G. a. (2008). "Digital libraries in India: a review". Libri, Vol. 56 No. 1.
Markerly. (2015). Instagram Marketing: Does Influencer Size.
Matthew , P., & Brandon, R. (2016). Social media and loneliness: Why an Instagram picture may be worth more than a thousand Twitter words. Computers in Human Behavior, 62, 155–167. doi:10.1016/j.chb.2016.03.084
Mills, A. J. (2015). Social media strategy for online service brands. Service Industrial Journal.
Montalvo, E. R. (2011). Social Media Management. International Journal of Management & Information Systems.
Morgan, D. L. (2007). Paradigms lost and pragmatism regained: Methodological implications of combining qualitative and quantitative methods. Journal of mixed methods research, 1(1), 48-76.
Murray, C. (2019). A systematic analysis for the Global Burden of Disease Study 2019.
Rahmanadji, D. (2007). Sejarah, Teori, Jenis, dan Fungsi Humor. Jurnal Bahasa dan Seni Universitas Negeri Malang, 35(2), 213-221.
Sohrabi, & Catrin. (2020). "World Health Organization declares global emergency: A review of the 2019 novel coronavirus (COVID-19). International Journal of Surgery.
Statista. (2018). World population in relation to mobile Internet and social media user.
Struges, P. (2015). The Production of Comedy: The Joke in the Age of Social Media. SAGE Journal.
W. Stephen, L. K. (2009). Encyclopedia of Communication Theory. SAGE Publications, Inc.
WANZER, M., BUTTERFIELD, M. B., & BUTTERFIELD, S. B. (2005). "If We Didn't Use Humor, We'd Cry": Humorous. Journal of Health Communication, 10:105–125.
WHO. (2020). www.who.int
DOI: http://dx.doi.org/10.33021/exp.v5i2.4336
Refbacks
- There are currently no refbacks.
Articles in Expose: Jurnal Ilmu Komunikasi have been indexed in major research databases, including:
Supported by:
This work is licensed under a Creative Commons Attribution 4.0 International License.